The protagonists were always attractive yuppies, living the dream until they made the mistake of trusting a psychopath who had designs on their goodies. All their plots could be reduced to a single pungent phrase: "the roommate from hell" ( Single White Female), "the tenant from hell" ( Pacific Heights), "the nanny from hell" ( The Hand That Rocks the Cradle). In the 1990s, moviegoers flocked to a string of glossy thrillers that one critic of the era memorably dubbed the "from hell" genre.
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